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She turns slowly, and finds her fellow-pedestrian is a young man clad in a suit of very impossible tweed: she blushes hotly, not because he is a young man, but because she has no hat on her head, having covered her somewhat riotous hair with a crimson silk handkerchief she had found in Geoffrey's room, just before starting. It covers her head completely, and is tied under the chin Connemara fashion, letting only a few little love-locks be seen, that roam across her forehead, in spite of all injunctions to the contrary.,

"Thank you," says Geoffrey, "but——",

"I sha'n't want to see them, perhaps," says Mona, apologetically, "but how shall I avoid it?",

"Well, do you know, I think I will take another bit of cake," says Doatie, totally unabashed. "And—cut it thick. After all, Noll, I don't believe Lilias would ever marry you, or any other man: she wouldn't know what to do with you."

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"She may," says Jack. "Well go on. What more does he say?",

"If I was quite sure I shouldn't be dreadfully in the way," says Geoffrey, turning to Mona, she being mistress of the ceremonies.,

About a week after her arrival—she having expressed her admiration of ferns the night before—he draws her hand through his arm and takes her to his own special sanctum,—off which a fernery has been thrown, he being an enthusiastic grower of that lovely weed.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.